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Big Bird Toys

admin — Tue, 06 Sep 2011 10:49:46 +0000

big bird toys

Is this bird cage big enough for one Indian ringneck?

I have never had a bird ive been reading up and stuff and im just wondering if this birdcage will be suitable, http://www.trademe.co.nz/Browse/Listing.aspx?id=238880848

If its not what size should I try to get and is there any way i could make one? I have acces to workshops but what should I use? The bird cage woudl be going in my room and would have hours and hours out everyday to play. I nkow I will end up building my won bird gym and foraging toys and stuff and also could some people give me tips and other information? It would REALLY help if I could just ask someone questions and they could help me with an expert and useful answer.

Thanks, Will
Also I asked a question on that and they said they didnt know but they had a cockateil in it. I looked on youtube and it looks like IRN and cockateils are the same size but IRN’s have longer tails.

No this is NOT suitable at all. Indian rednecks may be the same size as cockatiels, but they have larger wingspans and longer tail and flight feathers. Over all, it’s a bigger bird. A cage should be at least 20x20x30. It shouldn’t be round either because round isn’t ideal for climbing and it doesn’t make a bird feel safe. The cage should be around $300 if you get a good one. This is going to be your parrots home for the next long while so shouldn’t you get a good cage?

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Singing Bird Toys

admin — Sat, 30 Jul 2011 03:21:46 +0000

singing bird toys

A brief guide to the birds Finch

All families of birds finches that incredible family pets. How I can know this? Levanto and finches breed myself. Whether through personal, hands-on experience and study of finches in the last few years, I know the pleasure of raising finches. I believe that the joy derived from raising finches worth the work it takes to care for and feed these little birds. It's an absolute pleasure to share what I know about breeding finches with you. I can only hope that my enthusiasm for the finches you delete it.

Any pet shop selling birds safe bet that people will be gathered around the finches. People find finches magical, perhaps because his songs and activities. Some as the Gouldian Finch, are colorful and bold, while others, like the popular zebra finches are more subdued in coloration, but no birds of this species not somehow enforce.

Finches are energetic, always moving on its casing. Rarely are sitting quietly on his perch. Finches in no way seems to run out of force as they happen around their habitat throughout the day.

You should also know that the finches are voracious. Each bird to approximately one third of their body weight in food every day. Most of the finches of consuming a diet of small seeds. Like many birds, finches are omnivores, eating a diet rich in vegetables, and small insects and pupae. They gravitate to the leafy green vegetables, cut fruit, mealworms and pupae of other insects.

Their aviary should be large enough to fly around more than it is wide and unadorned. Finches tend to have no interest in toys, ladders, mirrors, bells, these are things that parrots and parakeets and finches find exciting tend to ignore. Oh yes, you should not expect your finch be harmless as a parrot or parakeet or good, but most do not sit on your finger or eat from your hand. If you remove the enclosure will have to go on for hours trying to recover.

If you're new to finches and thinking about getting a pair of birds for your home, I recommend you start with Zebra finches spices or society. These groups of finches are Easy care greatly, they tend to be tough and will easily raise at home. They are also cheaper to buy.

As pet finches to engage in song and movement throughout the day. While we entertain are also entertaining. I can sit for hours watching these little creatures live together in peace and harmony, singing to each other, grooming themselves and their peers, splashing in the birdbath, and generally having fun.

The increase in finches comes with a deep obligation to ensure the health and welfare of their birds. It's a huge responsibility, but one that is easy to do when you have tools for the care of these wonderful birds.

About the Author

Gregg Bowers raises finches for fun and profit. He has done so for over ten years and shares his knowledge of finches including raising finch birds as pets with you. Gregg is currently giving away as a free gift his powerful email mini-course, A Step-by-Step Guide to Raising Happy, Healthy Finches with absolutely no obligation just for the asking. If you are serious about raising happy, healthy finches then you have nothing to lose and everything to gain.

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Fun Bird

admin — Tue, 05 Oct 2010 12:34:41 +0000

Fun Bird

Tips for better observation of wild birds bird watching bird watchers

The birds are really fun and bird watching is a good way to leave home and country to enjoy a wild environment. And you get the added benefit of seeing all the birds in the area to visit.

When you see the birds flying around and doing what birds do, even if only in your garden bird feeders or bird houses nearby, you think is a fascinating experience that gives great pleasure and many other bird watchers and mind.

They have much more fun to be watching Birds!

Bird watching is now a very popular pastime and more birders are joining every year. Due to the increased time available for many other activities we now use the time for bird watching.

Many of us also realize that they are interested in the natural world provide a better appreciation for the environment and the habitat in which birds live. Habitat conservation will be key in human populations explode and disappear critical environments.

Before leaving on his first birding trip of the new birders learn some of the basic elements for observation successful birds to avoid potential disappointment. Having a bird feeder or bird house in the backyard is a great idea, but to see more birds than you need to visit your local habitat to find them.

You should be there at dawn to see more birds!

To see more birds as possible an early start is essential, because the birds are most active. Wherever your birding trips he has, always have more success early in the morning, even in your backyard, local park or forest or a beach.

After a good rest will have to be prepared to get up early and be in place at dawn. This will ensure you get there just before the birds are active and your arrival will not disturb them. The couple of hours or less after dawn are the busiest time for the birds and be amazed at what you see. If you are late, they are less birds.

Brightly colored clothing should be left at home!

Bright colored clothing will scare the birds as I see it more easily and take action to avoid diving into the nearest bushes as to detect their movements and therefore will not see many birds.

As bird watchers should try to wear clothing that has a more natural color and darker than meets to the area and foliage, where he was bird watching.

It's a great idea to use whatever the camouflage when the bird habitat, while observing birds. Get the artwork To see the largest number of birds or when entering an area where birds are nervous and difficult to see.

Keep the noise down or going to scare the birds!

While you are birding always move slowly and mostly silent. If you're with a friend and continuous speaking you will never see many birds like the noise they make them scared and that you are speaking to drown out the noise of the birds could do what ever they hear well.

So if you have to communicate with other birders with only whisper softly and when close to birds that are trying to see signs of use of hands or gestures to indicate whether the birds, but do not move your arms around point locations, as if the birds do this, then they are gone!

Try to remain behind the bigger things like trunks of trees and shrubs so the birds do not see your silhouette or any movement, as this will upset and could leave in a hurry.

Stay on the trail to minimize disruption

You do not disturb the birds, staying on the road and not try to pass by weeds. Also, do not attempt to remove a bird or prosecution in any way that this could put pressure on the birds that are trying to view and forcing them to flee.

The best way to see birds is come to you and if you find a good location and get comfortable this will happen and sometimes can give better view. A bird feeder and bird houses in your backyard is also a great idea which again allows the birds come to you and eventually become less nervous.

Do not approach too closely the birds, especially during spring and summer season breaded and definitely not go near their nests.

Get binoculars or a scope for better birding

It is easier and safer to observe birds from a distance and that is why you should invest in a good pair of binoculars and as more serious about bird watching you may also want to buy a telescope to get closer views of birds as possible.

If you are a nature lover, then bird watching can be extremely pleasant. It need not be expensive and, although the observation bird can be a bit of a challenge which remains always fun.

It is easy to start with only the placement of bird feeders and houses of birds to nest in your garden and the enjoyment of seeing the birds come back and forth.

Make sure you enjoy the birds Wherever you go!

Go on a birding trip to find more birds. Discover the best places to go birding guides online website and sand Plan a day or a weekend to find more birds and those who are different to what we see every day.

About the Author

If you are new to birding then learn the basics as soon as you can and to watch birds in your yard you should consider cheap bird feeders and discount bird houses to help you get started at a low cost.

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Looks Like

admin — Tue, 14 Sep 2010 02:12:07 +0000

Schedule looks promising for the Giants list looks promising for the Giants

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Parakeet Bird

admin — Fri, 20 Aug 2010 18:12:43 +0000

Parakeet Bird

Four Expert Tips for Taking Care of Parakeets

Parakeets are very popular pets. They’re very sociable and playful. They also come in many different colors, so you can easily find the perfect one for you. If you’re thinking about buying one of these birds, there are a few things you’ll need to know. This article will give you a few tips for taking care of parakeets.

Cage

The type of cage you buy is very important. Make sure that the cage is big enough for your keet to flap its wings completely without hitting the side. Also, the door should be big enough for you to easily reach inside to get your bird out. Although there are cages available in many shapes, it’s best to get a rectangular design.

Bathing

When taking care of parakeets, it’s important that you bathe them frequently. It’s best to do so two or three times each week. Some birds like a dedicated water dish that they can use for bathing. Others like it better if you use a spray bottle to mist water on them. Whichever method your bird uses, make sure he has a bath in the morning. This will give his feathers time to dry off before night.

Trimming

It’s important that your bird gets exercise time out of his cage. If you let him out, it’s best that you have his wings trimmed so that he can’t fly away. You will also need to trim his toe nails periodically whenever they get too sharp. His beak will also get sharp and need to be trimmed with an emery board too.

Companionship

When taking care of parakeets, you should know that they are very sociable. Your bird will feel a lot less lonely if you provide him with another keet to keep him company. However, this will severely reduce the bond that you share with your bird. This is due to the fact that birds would rather bond with each other than humans.

About the Author

These are a few tips for taking care of parakeets. There are many more things you need to learn about proper parakeet care. So, click here now for even more parakeet information that you need to learn.

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Chew Fun

admin — Tue, 17 Aug 2010 16:15:49 +0000

Chew Fun

The truth about dogs chew toys

Most dogs really need and will appreciate dog chew toys, since they usually can find fun with toys. For you as a dog owner, these toys can help manage your dog's natural inclination to keep chewing. If you select appropriate toys, you can keep your dog away from things in the house which does not like to gnaw. You can also chew also encourage the teeth and gum health and can relieve anxiety and boredom. Well, what you should look for when choosing chew toys?

Select the correct size

Unlike dogs are of different sizes, and you must choose only the right size toy for your dog. If the toy is too large, many dogs will not play with him at all. On the other hand, however, if the toy is too small, dog accidentally swallow and choke on it. Therefore, you really should know about your dog's breed and size well to choose the right toy size. Fortunately, many reputable dog toy manufacturers often have a description detailed on the label of the toy to help you decide if the toy is for your pet.

Make sure the toy is safe

Needless to say, the characteristics safety of toys for chewing should be carefully considered when choosing. It depends on the breed of his dog, a chew toy that is too hard can damage teeth. If the toy is too soft, however, it might bring about the accidental ingestion of broken parts or chips. It is a general rule you should avoid chewing toys small beads, buttons, cords, wires, bells and synthetic leather. Even a good-natured dog can tear small pieces and choke, resulting in suffocation mouth sores and damage to the intestines and constipation.

Collect a variety of toys

You do not want a box full of toys to chew for your dog, but at least be prepared several. If a dog plays with one toy, you can easily get bored. To keep him interested in toys, you should have some variety to rotate. Chew toys with food processing are also smart choices, as they encourage dogs to play with them.

View Your dog and toys

Chew toys are not pet sitters so you should at least keep an occasional eye on your dog while you are at stake. This will help to respond more quickly if your dog is about to eat a non-edible portion.

Occasionally, you should check the status of toys chew. A toy defective or damaged in part, could become a health risk for your dog. Replace the toys that are broken, in part or parts evicted very worn surfaces.

Your veterinarian Counts

If you are unsure whether an appropriate chew toy for your dog, the first for an appointment is your veterinarian. You may even be able to recommend good toy brands or retailers.

As mentioned, dog chew toys can bring enormous benefits to physical and psychological health of a dog. With all the tips mentioned in this article, they are certainly capable of picking up toys that are not only enjoyable but also your pet insurance.

About the Author

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parrots comedy

admin — Wed, 28 Jul 2010 11:12:32 +0000

Samuel Beckett as an absurd dramatist

Samuel Beckett as an Absurd Dramatist

Samuel Bracelay Beckett (1906-1989) is concerned as one of the leading dramatists of the post-modern era. He brought revolutionary changes in the standards and rules by which a drama has been appreciated from many centuries and introduced a new kind of drama that Martin Esslin labelled under the title of ‘The Theatre of the Absurd’. The theatre of the absurd presents the anxiety of man that arises from the fact that he is surrounded by the areas of impenetrable darkness. In this chaos, he will never be able to know his true nature and purpose and no one can provide him the ready-made rules of conduct to follow. Marking the difference between a good play and an absurd play, Martin Esslin opines:

If a good play must have a cleverly constructed story, these have no story or plot to speak of : if a good play is judged by subtlety of characterization and motivation, these are often without recognizable characters and present the audience with almost mechanical puppets; if a good play has to have a fully explained theme, which is neatly exposed and finally solved, these often have neither a beginning nor an end; if a good play is to hold the mirror upto nature and portray the manners and mannerisms of the age in finely observed sketches, these seem often to be reflections of dreams and nightmares’ if a good play relies on witty repartee and pointed dialogues, these often consist of incoherent babblings. (21-22)

Beckett’s canon of drama is large and varied. He had written two mime plays, six radio plays, one movie, six television scripts, one actorless play and seventeen dramas with speaking actors on the stage. His long series of dramas are collection of jewels in the storage of literature. About his interest in plays Bair says: “It was like a game for him to put speeches on paper, envision the way characters should move and speak – all within the confines of the printed page and his mind. It was much like chess: plotting moves, foreseeing changes and intellectualizing interactions.” (381)

His first output for stage was an unpublished historical play named Human Wishes. It was planned to be a four act play that discussed the life of Dr. Johnson. After another unpublished play Le Kid his pen lost its fluency on papers due to war. Immediately after which he provided Elutheria which was thought to be elaborated in three acts but never felt the presence of theatre. His masterpiece Waiting for Godot gave him a distinctive voice as a playwright. It came with two acts as Beckett suggested, one act would have been too little and three would have been too much. The play was severely criticized but its depth and its uniqueness were recognized. It is a play about two tramps waiting on a country road for unknown Godot who will reward them for their waiting at the rendezvous.

After this, Beckett abandoned stage for many years and indulged in translating French version into English. But the notoriety of Waiting for Godot enforced him to write something new and the fruit came in the shape of radio play named All That Fall, followed by Endgame. All That Fall took him into the new world of radio, a different medium but with day to day characters. Endgame presents claustrophobic set, the terminal situation and characters of unidentifiable origins. The play began with the thought of two acts but the interval was deliberately dropped as Beckett thought there was no structural justification for it. There is an ordinary family with everyday quarrels and attachments. The catastrophe of Endgame led Beckett to write down a mime play – ‘Act Without Words’ that presents a mute figure who is struggling to learn the futility of motion.

The experience of mime and radio play inspired him to write Krapp’s Last Tape in which a tape recorder recalls the image of radio play and Krapp’s lonely figure resembles to the image of mime. It brilliantly conveys the agonising poignancy of decrepit old Krapp’s lost to his middle aged self. With the exception of Happy Days that demands interval for technical reasons of planting Winnie in the ground, all his plays since Krapp’s Last Tape are pictured in one act with single scene. Other radio plays such as Embers, Words and Music and Cascando removed all the fog of challenge for Beckett in this media and he moved to film with Film (1965) and television play Eh Joe (1966). He searched affinity with the informality of the small screen and the feasibility of using the camera.

The invention of new technique of using theatrical space is witnessed through Happy Days (1961), Play (1963), Come and go (1966) and Breathe (1969). Happy Days displays how a woman is engrossed by her grave. This play depicts the courage of human race, who in spite of all disasters, welcomes death happily. Happy Days prepared platform for Play, if the reader/audience can accept a woman buried to her neck under scorching sun, they can easily welcome three urn bound figures with a spotlight. The marriage of Winnie is followed by a love triangle in Play that presents the non- realistic vision of hell where three died persons are suffering the torments for their misdeeds. They are narrating what has happened to them long ago swiveling by a spotlight. The innovation is marked in the twice repetition of the whole play they have just run through. Come and Go and Breathe reduce drama to a very shot length. Come and Go ends only in three minutes and shows the circularity of time during such a short span of time. Breathe presents the brevity of life just in thirty seconds. It presents just an inhalation and exhalation on a bare stage.

His later plays seem to be the study of meaning of theatre – about co-ordination between character and background, light and sound, words and silence. His next play Not I (1972) shows this co-ordination in which light beam and buzzing become the part of discourse. This ten minutes monologue with a spot – lit female mouth against a dark stage recalls the image of Play. Mouth is narrating the story of a woman who finds herself in a limbo to be punished for some unknown sin. It is a challenging play for an actress who has to articulate so rapidly as to be barely comprehensible. That Time makes its existence in 1976, and presents a lit face with three pre- recorded monologues by the same actor. Footfalls presents the slow voice story of a woman and her daughter. The television plays Ghost Trio, ….but the clouds…. and Quad are added in the store of his dramatic canon.

In his last period plays became occasional that were written for specific reason or event. In 1982, Catastrophe supported the Czech dissident Vaclav Havel and A Piece of Monologue gave chance to David Warrilow whose acting had impressed Beckett. His next play Ohio Impromptu staged two identical characters with a book. One of them leads the play and another remains a mute listener. Even in his last days, his plays were inventive and unpredictable. Nacht and Traume televises a dream and his dramatic career was graved with What Where (1984).

His plays seemed to be esoteric in the beginning and a flurry of articles and letters were written after the first performance of Waiting for Godot. Critics tried hard to interpret his plays but none of the interpretations either Christian or mythological or otherwise fit all the facts. Beckett remained silent and did not confirm a particular explanation. Leonard C. Pronko has acknowledged his talent and comments:

Only the most crassly insensitive person could fail to feel intensely the essential meaning of Beckett’s work. And if he is wakeful he will comprehend the basic dramatic situation, and the issues involved. Beyond this may be “headaches” for the overzealous analyst. (36-37)

He has given imagery not interpretation and now it is up to audience/reader how he interprets the network of his plays. Eliopulos supports this view when he says “the impact of Beckett’s plays lies not in what they say to the world but in what they do to each spectator. Beckett has prepared an “experience” and personal reactions to any experience must be varied.” (33) Originally written in French most of his plays are translated in English by Beckett himself. He also assisted directors of his plays in the setting of stage dimensions. The combination of writer and director made his written text alive. He described each and every physical action if that is not implicit in the speech and recurring pauses and silences mark the rhythm of speech. This contact enables him to be more economical in the use of both language and scenery. He eliminated everything that is of no use for the image he wanted to portrait. The plays of Beckett display most of the features that Martin Esslin has defined for an absurd play.

‘Plot’, a string of events which are well organised to achieve particular aesthetic and artistic effects, finds no developing events which could lead to finale in Beckett’s plays. He had freed the genre form compulsion of two-three hours performance and effectively presented tauter, tighter and polyphonic dramatic structure. In absurd drama, action does not move from one point to another as in other dramatic conventions instead it builds up the concrete and complex patterns of poetic images that the play reflects. The spectator has to wait for the gradual completion of this pattern because only after that he can view the whole image. The completion of image leads him to explore, to ask questions and to search out what the play exactly means.

In Waiting for Godot, until the second coming of messenger boy, the audience/reader is not sure that he is visiting a play which will never end. This kind of drama creates a higher level of dramatic tension and provides more relief when satisfied. It is irrational to argue that to construct irrational poetic image of absurd drama is easier than to build up a rational plot because there is an immense difference between artistically valid nonsense and just nonsense. There is always the presence of reality itself while creating a realistic plot. While in absurd drama, the author requires the capacity to invent images and situations that have no counterpart in nature. He has to establish a new universe with its own logic and rules which should be intelligible to the audience. Mere combination of irrational images without any logic will merely produce banality not a work of art. The author has to realize the fact that only incoherent fragments of reality are not sufficient but the ability to transpose them into valid imaginative whole is equally essential.

Beckett was well aware of all these facts and constructed his plays very carefully. In the traditional plot there is a beginning, middle and an end but Beckett’s plays lack such development. There is no sequence of events or resolution of some problem but a static situation in which nothing happens. All the plays documented in Beckett’s canon have circular structure. In Waiting for Godot, the frequent closure followed by a new opening rejected the idea of definite end of the play. The second act seems to be identical to the first act only with slight variations. The second act displays no solution of the problems of tramps and the play ends suggesting infinite series. The end of the second act may be the beginning of third, leading to fourth and fifth act and so ad infinitum. Endgame deals with the same situation when Clov tries to close the action by borrowing traditional form of theatre finale-‘song’- he is stopped by Hamm with the command, ‘Don’t sing’ and the play moves on and ends with the same situation in which it begins, giving the idea that it may begin again with the same routine. The twice repetition of Play clearly indicates its circularity. Beckett’s plays are presenting the miseries of life, man’s fight for existence and as far as these problems persist how can there be an end of Beckett’s plays. At the end of the play audience/reader’s mind always trouble about whether it is a proper end or more is going to happen.

In traditional plays, there is a tendency that the spectator identifies himself to the ‘actor’ who is performing on the stage. The theatre of the absurd successfully presents such characters whose aim and action cannot be imitated. The audience cannot identify himself with the characters who seem to be mere puppet. To communicate mysterious action and nature of real condition of man, the dramatist introduces less human character because only through him that he can freely express his views without binding himself in the chains of logic. Beckett’s characters are hardly recognizable. Albert Cook says, “Beckett’s people are negligible and identification with any class of people less than mankind in general.”(qtd. in Eliopulos 116) His characters do not preach moral and philosophical views. They are not directly drawn from the realistic world but are highly stylized one. They are living in irremediably immediate present without having definite plans for future and for whom past is a source of happiness but not achievable again.

From his first published play Waiting for Godot to his last What Where, the image of man is shown in a declining way. Beckett from the beginning has presented the illusion of character in the form of character then dissolved the audience’s belief in the authenticity of the human image. In Waiting for Godot, the validity of the presence of Vladimir and Estragon is in doubt, when the second boy messenger denies to recognize them. In Endgame, the confusion to distinguish when Hamm performs himself and when he assumes a role diminish the sense of his presence as a human image. In Krapp’s Last Tape, he removes the presence of second person and substitutes him with a tape recorder. This play is a breakthrough in which a single character is doubled, and then trebled by mechanical invention of magnetic tape recorder. Happy Days picturizes a middle aged woman gradually consumed by a mound of earth. Till Not I, the presence remains only in the form of mouth who cannot speak the pronoun ‘I’ and presents herself in third person. The evidence of the person who belongs to the text oralized by mouth is not given. Play is staged with three urn bound faces and the series of declining image of human race goes on in Beckett’s plays. Guicharnaud opines about Beckett’s characters:

The characters in Beckett’s theatre are constantly caught between their own clumsiness and the resistance of objects, including their own bodies. Shoes that are too narrow, hats too small, car doors too low, windows too high, prostate conditions, haemorrhages, itching… Beckett’s universe is on of perpetual irritation. (116)

Not only this, almost all his characters are suffering from physical deterioration. Estragon has hurting boots and Vladimir has paining shins. Hamm is blind and cannot move. Clov can move but cannot sit. Nagg and Nell are legless and kept in ashbins. Winnie is absorbed by earth and all the three characters in Play are caged in urns. Another distinctive feature of his characters is that they have mirrored number of alphabets in their names with contrasted characterization.

ESTRAGON POZZO HAMM NAGG WINNIE

VLADIMIR LUCKY CLOV NELL WILLIE

This style runs in three of his major plays that the characters linked to each other have name of same number of alphabetic structure. But their demeanour is contrasted as Vladimir seems to be tolerant and intellectual type, Estragon is quick tempered and intuitive sort. Pozzo, the master of the whip, commands Lucky – a passive follower who carries former’s luggage. Like Pozzo, Beckett has set off erudite talented Hamm against Clov who parrots him. Nagg is an affectionate husband and Nell is an intelligent lady who cherishes memories. Winnie is full of life and cannot remain silent. On the other hand, Willie is introvert and speaks only few words during the whole play. In his later plays he generally removed the names of characters and assigned either an alphabet like in Play – M, W1 and W2 or just mentioned the part of body like in Not I – Mouth. Thus, Beckett has experimented with the concrete image of human actor on the stage. His characters make their entrances and departures upon the stage of life, verbalising tales full of sound and fury.

Absurd drama deals with sombre and violent ‘subject-matter’ yet the failure of identification with characters leads it to the comic theatre. Thus it transcends the category of both – tragedy and comedy, and makes a combination of laughter with horror. It does not present some social facts, morals, political behaviour or examples of historical events but a universe- disintegrated, meaningless that has no unifying principle – an absurd universe. Beckett started writing in a world in which there is no unity, clarity, hope, rationality and where man feels himself all alone, stranger to everyone. These experiences led him to ask about the authenticity of his existence. His main concern is with human impotence, his identity, his limitations and value of his existence. He himself admitted, “I am working with impotence, ignorance. My little exploration is that whole zone of being that has always been aside by artists as something unusual – as something by definition incompatible with art.” (qtd. in Eliopulos 31) His plays present images of entropy in which the world and the people in it are slowly but inexorably running down. There is abiding concern with death and dying. Death as an event is presented to be a desire of man but ultimately impossible whereas dying as a process is shown to be our only sure reality.

Beckett realised that he could make an expressive use of existing treasury of ‘music’ through the genre of drama. Mihalovici has described Beckett as “A remarkable musician… He possesses an astonishing musical intuition… That I often used in my composition.” (qtd. in Mercier 145) There is always a touch of music in his plays since Waiting for Godot. But the real stars sparkled with his radio plays that reminded him of the possibilities of music. Waiting for Godot comprises the round song of Vladimir and the free verse speech of Lucky’s monologue. At the beginning and the end of the play All That Fall, the music of Schubert’s ‘Death and The Maiden’ is played on an old gramophone. In Happy Days Winnie plays Waltz Duet “I love you so” from ‘The Merry Widow’.

The real triumph of music over words can be observed in Words and Music. Music is presented as a small orchestra that can be heard tuning up as the play begins. When Croak gets fed up with Words’ pseudo – scholastic analysis, he invites music that supplies appropriate soft tunes over the ‘Audible groans and protestation’ of Words. In Cascando, music plays the role of third character. “For Cascando… it was not a matter of a musical commentary on the text but of creating, by musical means a character, so to speak, who sometimes intervenes alone, sometimes along with the narrator, without however merely being the accompaniment for him.”(ibid, 146) In short, music has become synonymous with emotions for Beckett. It has softened the tiring and boring atmosphere of his plays. Hamm might have checked Clov from singing that will lead to finale but Winnie has closed Happy Days with a song.

Spectacle or scenic effect has much concerned with stage craft. While there used to be decorated stage in traditional plays Beckett had omitted every unnecessary prop from the stage. Stage is not crafted as a garden or a palace but barrenness occupies the stage of Beckett. Light is assigned a signified role that controls and compels characters to speak. From Classical to Elizabethan drama, plays were staged in architectural spaces. With the help of language, a playwright can develop the literal and imaginative significance of the scene. The arrangements are established for entrances, exits and an emblematic image that could be referred as a palace or public space. The audience perceives the perception of characters about scenographic image as well as creates his own conceptions. Beckett had eliminated the scenic details and confined the action in a specific context that may lead to an affirmation of the possibility of knowledge. In plays like Footfalls where the vocal quality, dramatic posture and emotional intensity can differ from production to production, every stage should be settled with original lightening concept, costume design and even the area of movement are blocked through the map in the text. Beckett creates non-specific settings that separate his characters from any social boundations. He is picturising the generalised human condition with barrenness of the stage space. He may not specify the restrictive environments geographically or historically but he does not forget to clarify the boundaries with the suggestion that his protagonist cannot cross it because outside it is death.

In good literary theatre piece, ‘language’ is a predominant factor. Language is the main source of reflecting the thoughts and actions of the characters. There is a breakdown of language in the communication of the characters in the theatre of the absurd. Its main aim is that language must reveal authentic content rather than concealing it. This can be done only when man will leave the ossified clichés and steps further towards living language. Absurd drama introduces new dimension of stage by using the language of a scene in contrast to action, by reducing it to verbal nonsense, by expressing thought through poetic logic of association and imagery instead of discursive language. Some space is provided by theatre to the dramatist that is filled by visual and audible images. Beckett fully supported this view and possessed the capacity to express visually the silence on the stage.

Beckett’s plays are centre of language which accepts its own degradation. Dramatic speech in Beckett’s drama possesses the fundamental level of action. It is not subordinate to gestures, movements and setting. For the first time in Beckett’s play silence and abstraction are presented not as subsidiary but as main part of speech, the content of drama, and the constitutive elements of dramatic language. Beckett is conscious about the relationship between the object (Theme) and the mode of [removed]Language). He regards latter the container of the former, foregrounding the comic absurdity of the dissociation into two non-interacting elements. Language, for Beckett is not a self sufficient tool to express concepts and themes in dramas, it needs the support of paralinguistic and non-linguistic features. The capacity to speak even when the whole body is reduced to head protruding from a dustbin is the main dimension of Beckett’s theatre.

The language of his plays is theatrical that is making efforts to break the logical sequences and association to communicate the fluidity of consciousness. Beckett’s awareness that communication is not possible lies in the belief that absolute meaning is absent from the world. So language in the form of communication becomes private in lack of any absolute external criteria. Beckett takes special care of syntax and vocabulary. His new words and ambiguous syntax are counter-balanced by simple sentences and day to day life vocabulary. If some parts of his plays are unintelligible like Lucky’s speech in Waiting for Godot, other parts can easily be digested as the verbal ping-pong of Vladimir and Estragon.

To sum up, Beckett’s celebrated presence is felt not only on the French scene but throughout the international literary community. He has become one of the first absurdist playwrights to win international fame. In 1969, he received Noble Prize for literature, one of the few time of this century that almost everyone agreed that the recipient deserved it. He continued to write till his death in 1989 and towards the decay of his life, he felt each word to be an unnecessary stain on silence and nothingness.

Works cited

Bair, Deidre. A Biography: Samuel Beckett. London: Harcourt, Brace, Jovanovich, 1978.

Eliopulos, James. Samuel Beckett’s Dramatic Language. Paris: The Hague, 1975.

Esslin, Martin. The Theatre of absurd. New York: Doubleday and Company, 1961.

Guicharnaud, Jacques. Modern French Theatre. New York: Yale University Press, 1961.

Mercier, Vivian. Beckett/Beckett. New York: Oxford University Press, 1977.

Pronko, Leonard C. Avant Garde: The Experimental Theatre in France. Berkeley: University of California Press, 1962.

About the Author

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admin — Wed, 21 Jul 2010 16:39:47 +0000

Did you know that animals can have tourettes syndrome?

Ok I know it’s rude but this is funny. This parrot is soooooooo funny. You have got to look at this.

http://youtube.com/watch?v=t7L-nbOxYqU

my dog wont stop f`in barking!

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Parrot Bird

admin — Sun, 11 Jul 2010 17:02:53 +0000

Parrot Bird

Parrot Birds Tips – Choosing A Cage For The Parrot

If you have a desire to keep a parrot at your home, then the foremost contemplation should be an enclosure where it is to be kept. Keep in mind that the habitat of the parrot directly influences its health. It should be obvious that every parrot possessor will like to keep the parrot in an enclosure. But remember that the cage should be spacious as it requires good space to live in. This will help in the growth of the parrot.

When you are going to buy a cage then always look for a good and right dimension. This should be understood that all types of parrot cannot be kept in the similar cage. The specie of the parrot also determines which type of an enclosure you should have. So, before you buy a parrot it should be well understood that which type of cage should be selected so that the parrot can be kept in their satisfactorily.

There are many varieties of cages with so many different sizes which you can wonder. But, the specie of the parrot very much affects the type and the size of the cage. For instance, the specie of a parrot like an African Grey or the Blue Crown Conjure requires a cage with a size of 18x18x18 inch. Also for an Eclectic Parrot and the Senegal Parrot, the same dimensions mentioned above would be perfect. In this way different parrots have varying cage dimensions.

The dimensions of an enclosure may vary with the specie of many parrots. For instance, for the parrots like the Amazon Parrot, the Quaker Parrot or the Macaws the cage dimensions of about 30x30x30 inch would work. Also, for the Umbrella Cockatoos, some dimension of about 36x30x72 inch would be ok. For a Conjure a cage with size measurement of around 20x20x24 inch would be fine in order to keep your parrot cheerful, relaxed and healthy.

There are many kinds of parrots seen and they too have distinct sizes of an enclosure. If you keep the Coffin Cockatoo as a pet then the cage should have a preferable size of around 48x36x48 inch. The same dimensions would also be good for the Moluccas Cockatoo. Now for the Rose Breasted Cockatoo then you should go for the cage dimensions of around 36x36x36 inch. The parrots which are small in nature can stay in an enclosure of around 18x22x24 inches. For instance the parrot Quaker Parakeet is of this type. For different other tiny species like Cockatiels and Budgies the cage dimensions of around 18x18x24 inches and 20x12x18 inches respectively would be fine. Remember that the entrance of the cage should be good and big so that the parrot can enter and exit from the cage easily.

The devices that you use while serving food and water to the parrots also play an important role other than the cage dimensions. You must keep things such as cups to serve water to the parrots and also toys so that the parrot can catch these things from inside of the cage very easily.

About the Author

Learn some tips when traveling with your parrot as well as more insights into different types of pet parrots when you visit http://www.parrotbirds.net

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Bird Parrot

admin — Wed, 07 Jul 2010 08:10:04 +0000

Bird Parrot

Tweety Bird

When your kids start asking for a pet, you might hear "I want a Bugs Bunny" or "Mickey Mouse" both in domestic animals can escape. But for those who hear "I want a Tweety", you have nothing to worry as the birds can make some domestic animals more entertaining and polite at all. Not only are moderately easy to care for, you can spice up your whole house with their sweet singing and a colorful plumage. For those looking Tweety future pet owners, the reasons to consider a bird are numerous.

Small birds

A little bird a pet is very easy for you to care. It is often very expensive, requiring only a decent cage and a good supply of food, birds such as finches and nymphs tend to be more or less independent, especially if you buy more than one. They will be happy to have fun and when it comes time to see or whistle with them, are more than willing to oblige. While some smaller birds can become unmanageable if not raised from birth many are a joy to operate and maintain the house.

Larger birds

Parrots are probably the most fun and exciting when considering birds as a pet. Not only is their ability to imitate legendary, and often incredibly entertaining live a long time, along with a human life, that a parrot can be a household pet and companion for life. Although these birds will cost more and require larger cages and numerous toys to keep occupied, a parrot for someone with time to spend a wonderful pet, one that will become so attached as to feel like a family member.

The election

The difference between the finch and the parrot is a huge, a decision that will largely depend on where they live, how long has to pass, and that will be around the birds. Although finches and canaries largely do not like being handled, a parrot that thrives on attention and more time spend with them outside the cage, more will join you.

A smaller bird often serve as a close partner, keeping a lively and energetic in your apartment or house, while a parrot is another family member, a reason to turn off the TV and gather the family around while he play.

Whichever bird you decide to make your pet, and it really depends on what the lead and the lifestyle of the time you have available, you will find they can make a pet more rewarding and entertaining throughout, with a range of interaction between species perfect for making your decision based on his style of life. Whether large or small, Tweety a pet can liven up any home.

About the Author

By Renske Buursma, pet store owner with lots of helpful articles about pet care at
http://yourhealthypetsonline.com

Lovebird Tricks/bird training/SMART PARROT!!!